“The beauty of the world is the mouth of a labyrinth. The unwary individual who on entering takes a few steps is soon unable to find the opening. Worn out, with nothing to eat or drink, in the dark, separated from his dear ones, and from everything he loves and is accustomed to, he walks on without knowing anything or hoping anything, incapable even of discovering whether he is really going forward or merely turning round on the same spot. But this affliction is as nothing compared with the danger threatening him. For if he does not lose courage, if he goes on walking, it is absolutely certain that he will finally arrive at the center of the labyrinth. And there God is waiting to eat him. Later he will go out again, but he will be changed, he will have become different, after being eaten and digested by God. Afterward he will stay near the entrance so that he can gently push all those who come near into the opening.” - Simone Weil “The beauty of the world is the mouth of a labyrinth. The unwary individual who on entering takes a few steps is soon unable to find the opening. Worn out, with nothing to eat or drink, in the dark, separated from his dear ones, and from everything he loves and is accustomed to, he walks on without knowing anything or hoping anything, incapable even of discovering whether he is really going forward or merely turning round on the same spot. But this affliction is as nothing compared with the danger threatening him. For if he does not lose courage, if he goes on walking, it is absolutely certain that he will finally arrive at the center of the labyrinth. And there God is waiting to eat him. Later he will go out again, but he will be changed, he will have become different, after being eaten and digested by God. Afterward he will stay near the entrance so that he can gently push all those who come near into the opening.” - Simone Weil

EVERY LAST PENNY FOR YOU, GIRL BY ZOE KOKE

Bug presents a collection of poetry from artist Zoe Koke. A multi-disciplinary artist living and working in Los Angeles. Koke is a difficult artist to pin down. Her poetry is painterly in execution. Her paintings often times feel like poems. The reader is left transfixed by a material history that untethers its own assumptive qualities. She distorts our sense of time passing.  The resurfacing of memory and bad habits is not coming of age, rather a cyclical state of becoming. Her poems effortlessly cite David Lynch, Lady Gaga, Julianne Moore, and Casper from ‘Kids’. Flattening their attributes like a painting, these pop culture signifiers are rendered into objects.  It’s as if Casper from ‘Kids’ belonged to her, a personal attachment. ‘Every last penny for you, girl’ is a travelogue for the road of uncertainty. Poignantly using ubiquity as a literary device, she guides us alongside her. We become perilously intertwined. A visual tour of lived narratives, metaphor delicately woven into their inert surface. The muttered breath before slumber and the story one might dream of thereafter. Bringing us as readers to a state of pure empathy when she dims the lights for tragedy. 

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